The following demo guide breaks down many of these same tracks by frequency range and performance trait, so you can evaluate your own system with the same intent. Think of it less like a playlist and more like a diagnostic toolkit where each track is probing a different aspect of your system’s capabilities. To listen directly, please use one of the following links to this specially curated playlist by Sound Approach on Tidal or Spotify. If you have a premimum subscription for Spotify or Max subscription with Tidal, remember to tweek the settings in your account so you're listening to the highest quality available, preferably, 24-bit/44.1kHz (FLAC) lossless, where available. Tidal has a higher quality at 24-bit/192kHz (HI-RES FLAC) for their Max option as well as Dolby Atmos for a more immersive performance. If you don't have lossless settings, that's totally fine and you can still benefit from the following article. 

Tidal Sound Approach Test Playlist

Spotify Sound Approach Test Playlist

Bass & Sub-Bass: Foundation and Control

Tracks:

• Silent Shout – The Knife
• Ratchets – HEDEGAARD
• Angel – Massive Attack
• Royals – Lorde
• Bad Guy – Billie Eilish

Low-frequency testing is about more than just “how much bass” your speakers present. It’s about detail, control, and texture. “Silent Shout” digs into the sub-bass territory that will immediately reveal whether your system can reproduce frequencies below 30 Hz without distortion. “Angel” builds slowly, layering bass lines that test composure under pressure which lesser systems may turn into a muddy blur.

“Royals” and “Bad Guy” are deceptively minimal, making them perfect for identifying bass tightness and transient response. They’re also popular enough that you may already be familiar with the bass line. With these tracks, you’re listening for clean starts and stops, not bloated resonance that leaves the detail wanting. If your room or speaker placement is off, these tracks will call it out immediately by sounding blurred and muddy.

Imaging & Soundstage: Placement and Space

Tracks:

• Queen Mary – Francine Thirteen
• Graffiti Jazz Number 2 – David Chesky
• Letter – Yosi Horikawa

This is where systems either disappear entirely or collapse into two boxes making noise at you. Imaging and soundstage influence the presence your speakers have (or don’t have) as well as making you experience a submersion into the music. If your system struggles in this regard, it may be because of poor soundstage or imaging.

“Letter” by Yosi Horikawa is practically a benchmark. The shifting sounds should move in three-dimensional space, not just left to right but forward and backward, in front of and (possibly) behind you. If your speakers are dialed in, you’ll perceive a three-dimensional space that extends beyond the boundaries of your speakers to fill in the room. With good Imaging you should be able to perceive instruments in different locations and vocals typically centered mid-way between your speakers and slightly above the site line of the tweeters.

David Chesky’s recordings are engineered specifically for binaural realism, exposing how well your system handles micro-detail and spatial cues. He’s well known in the audiophile community for exceptional production and understanding of spatial reconstruction in stereo. “Queen Mary” by Francine Thirteen adds complexity, testing how well your speakers separate layered elements without smearing their positions as well as demonstrating imaging clearly in isolated bursts with the sporadic bass punching discreetly from left to right and back again.

Midrange & Vocals: The Heart of the Music

Tracks:

• Runaway – AURORA
• Don't Know Why – Norah Jones
• Hey Now – London Grammar
• City of Angels – Em Beihold
• The Sound of Silence – Disturbed
• Still D.R.E. – Dr. Dre

The midrange is where most of the music lives and where most systems succeed or fail.

Norah Jones’ voice should sound intimate and natural, not recessed or overly forceful. AURORA and London Grammar introduce ethereal vocal layering that tests how well your speakers maintain clarity without harshness. Ideally, these tracks will sound airy and ethereal. “The Sound of Silence” pushes dynamics within the midrange, blending vocal weight with low-end presence.

“Still D.R.E.” adds a different angle with its piano loop and vocals which will allow you to test tonal balance and midrange articulation in a modern mix. If the voice sounds hollow or congested, your system needs attention.

Treble & Dynamics: Detail Without Fatigue

Tracks:

• Fly Me to the Moon – Frank Sinatra
• Runaway - AURORA

High frequencies are where systems often cross the line from “detailed” to “fatiguing.” Specifically, overly bright speakers will make you want to turn the volume down or in the worst case scenario, off. This is something we want to avoid. 

Sinatra’s recordings often include unforgiving cymbals and brass instruments that should sound crisp and smooth, never piercing, with a noticeable sibilance at the tail end of each percussion strike or note that tells your ear which instrument is being played. “Runaway” highlights dynamic swings and unique musical presentation from this Scandinavian pop sensation, testing how well your speakers transition from quiet passages to explosive peaks without compression or distortion amidst the instrumental layers and vocals.

This category is about refinement and detail. If you find yourself turning the volume down, your setup isn’t behaving. This is often what reviewers are insinuating when they describe speakers as harsh or bright. 

Full-System Performance: The Big Picture

Tracks:

• Feel Good Inc. – Gorillaz
• Hotel California – Eagles
• Bohemian Rhapsody – Queen

These are your “final exam” tracks. These are the tracks that you love, that you can listen to over and over again, and those that are just damn good in regards to production, performance, or even cultural impact. While this list includes some of the author's favorite songs for overall testing, it's by no means all encompassing. 

“Hotel California” (especially live versions) reveals how well your system handles layering, crowd ambience, and transient response. You should feel like you’re in the audience at the concert, even if it is in the last row of the stadium. “Bohemian Rhapsody” is a stress test for coherence with multiple layers, dynamic shifts, and tonal changes all happening at once. “Feel Good Inc.” blends modern production with bass and spatial effects, making it a great indicator of whether your system feels cohesive across all frequency ranges.

How to Use This Testing Playlist Effectively

Treat each track as a targeted test, not background music:

• Start at a comfortable moderate volume, then increase gradually - surprisingly, more volume isn't always the answer because it's often easier for your ear to pick out more details at a lower volume.
• Focus on one attribute at a time (bass, imaging, vocals, etc.) – pick one of these attributes and listen through an entire song focused on that specific thing. You’ll be surprised what you pick up that wasn’t recognizable in a more casual listening session.
• Make small adjustments to speaker placement and relisten to the track – if you’re not happy with the performance, adjust your speakers slightly. If you have rear ported speakers, move them a few inches away from the wall. For tower speakers try toeing them in (angling slightly toward a central point). Rinse and repeat, when necessary. 
• Take notes - seriously, it helps more than you think and while some things will jump out at you, the more subtle a change, the less your mind will hang onto the details.

A well-tuned system doesn’t just sound “good” it reveals layers, space, and most importantly, will have an emotional impact that lesser setups simply can’t achieve.

Final Thoughts

The tracks above aren’t just popular, they’re proven tools used by manufacturers, dealers, and audiophiles alike. Borrowing from demo rooms at events like AXPONA, this playlist helps to give you a structured way to evaluate performance across the full frequency spectrum.

However, the ultimate judge of a system is your favorite music. Don’t rely solely on the opinions of others or the songs recommended above. Listen to your favorite songs a few times and focus on different aspects of the music during each play through. You just may discover something you’ve never heard before and testing what you know best will definitely help you identify those minute details.

Whether you’re dialing in a new pair of speakers or refining your dream setup, these songs will help determine exactly where you stand, and where you can improve. Enjoy!

If you’ve been watching the shift toward all-in-one audio systems, Cambridge Audio’s L/R Series is one of the newest and most ideal examples of what modern Hi-Fi can achieve with the right motivation. Instead of building a system piece by piece, these speakers combine built-in active amplification, connectivity, and in some cases, accessibility with streaming platforms in a single, refined package. The lineup includes three models from the L/R S (smallest) to the L/R X (largest). While they share a common design language, they’re built for very different types of listeners and a variety of spaces.

The entry point is the Cambridge Audio L/R S, and it’s a bit of a hybrid in the best way. On paper, it’s a compact active speaker system with 2x50 watts of Class D amplification, a 21mm aluminum tweeter, and a 3-inch woofer. In practice, it behaves more like a modern desktop or nearfield solution that manages to carry Cambridge’s Hi-Fi DNA. The Bluetooth with aptX HD adds wireless convenience, but there’s no Wi-Fi or native streaming platform here. That’s intentional. The L/R S is designed for users who want high-quality sound and some flexibility without committing to an app-driven ecosystem. The L/R S seem like an ideal desktop or computer speaker system, perfect for nearfield listening.

Moving on, you step up to the Cambridge Audio L/R M and the experience changes significantly with a lot more features. This is where the L/R Series fully embraces modern streaming and additional inputs. Power jumps to 2x150 watts, and the dimensions expand to dual 4-inch woofers paired with a 28mm Torus tweeter, with 2x4.75” passive radiators for additional bass output. The L/R M supports more advanced DSP and a 2.5-way design. More importantly, it allows access to Cambridge Audio’s StreamMagic platform, opening the door to Wi-Fi streaming, multi-room audio, and direct access to services like Spotify, TIDAL, and Qobuz. Connectivity also becomes far more system-focused, HDMI eARC allows it to function as a serious TV audio solution, while the built-in moving magnet phono stage means you can plug in a turntable without extra gear. It’s the point in the lineup where these speakers stop feeling like accessories and start replacing traditional components.

At the top of the new releases, sits the Cambridge Audio L/R X, where Cambridge Audio makes a bold statement. With 2x400 watts of Class D amplification and a more substantial driver array with the dual 5-inch woofers augmented by dual 6” passive radiators alongside the 28mm Torus tweeter, the L/R X is built to fill larger rooms with authority, dimensionality, and character. It carries over everything that makes the L/R M compelling, including StreamMagic, HDMI eARC, multi-room support, and a phono stage, but elevates it with greater scale, headroom, and refinement. For many listeners, the L/R X can replace an entire rack of separates while still delivering a performance that feels unmistakably high-end.

What ties the series together is a clear progression in both power and capability. The L/R S focuses on simplicity and flexibility, offering an exceptional nearfield experience without the complexity of networked audio. The L/R M finds the balance, combining robust amplification, full streaming functionality, and system-level connectivity into a single, versatile solution. The L/R X pushes the concept to its limit, delivering the kind of output and scale which defines a serious listening space while still maintaining the clean, all-in-one approach.

Choosing between them comes down to how you plan to listen. If your setup revolves around a desk, a computer, or a few wired sources, the L/R S keeps things straightforward while maintaining a refined sound. If you want a central hub for streaming, TV audio, or vinyl, the L/R M hits a sweet spot that’s hard to argue with. And if your goal is to simplify a full Hi-Fi system without giving up power or presence, the L/R X makes a strong case for leaving traditional separates behind.

Figuring out which model of a manual, articulating TV Mount and Wall Box you need is based simply on the size and weight of your TV and the application you plan to achieve. This may include additional electronics or other requirements. Thankfully, Future Automation is well known for a high level of design and engineering, ensuring that you have a sturdy and strong piece of hardware that will last you many years to come and that an option is almost certainly available to fit your existing project! Beyond articulating mounts, Future Automation also has optional in-wall boxes compatible with each wall mount, allowing for flush mounting for specific models like the Samsung Frame TV.

Which PS Mount should I get?

To determine the best option(s) for your application, please use the comparison chart below based on the size of your TV to select the best Future Automation PS Mount Model and associated Wall Box, if required.  

Which Wall box should I get?

The first step will be to make sure they align vertically and horizontally with the TV so that none of the edge of the wall box will be visible. This can often happen with smaller TVs on the PS40 and WB26 Wall Box pairing. Therefore, we would recommend you measure the height of your TV to confirm it is taller than the 26” height of the WB26. If the TV is less than 26” tall, we would most likely recommend the UB22 and a smaller PS Mount.  

Selection also depends on how you are planning to use the Wall Box. The standard WB boxes (21-80) are designed to pair perfectly with their compatible mounts. The WB26 and above are also able to mount additional TV electronic accessories, like the Samsung Connect. Again, this means that your specific application may impact which mount is the right choice.

Next you need to decide if you’d like the Wall Box to mount between two 14” studs or if you’d like it to be mounted in a twin stud bay between two studs, approximately 30.5” in width. The UB (Universal Box) is not as tall as the WB and makes it a much more suitable choice for smaller TVs or for applications where a wider mount may be necessary.   

Like the WB, the UB has a complimentary size to go with each of the PS wall mounts and allows for flush mounting. Additionally, it is the optimal choice for anyone who wants to mount a power supply or connection points concealed behind the TV. Additionally, each size of the UB is compatible with the Samsung Connect Box.

Selecting the correct wall mount for your TV installation is an important step at the beginning of your project. At Sound Approach, we are here to help you every step of the way and ensure that you get exactly what you need. Please don’t hesitate to reach out for confirmation of your setup prior to purchase or let us know if you have any questions.

Enjoy your new TV mount!

Ported vs Sealed Subs

Ported subwoofers generally provide more output down to the tuning frequency of the enclosure, while sealed subwoofers have a higher tuning frequency but due to the advancements in DSP technology, RBH sealed subs are factory tuned for a linear and deeper response.

Freestanding Subs

There is no question, freestanding subwoofers offer the traditional approach to subwoofer integration in a room.

  - Signature 12" subwoofers: these provide the best value RBH offers.  With a great long throw aluminum woofer, these subs punch above their weight class.  Available in single driver ported, dual driver ported, and single driver sealed.

  - Reference 12" subwoofers: stepping up to Reference increases fidelity and output.  Experience real power and fantastic low frequency response.  Available in single driver, dual driver, ported and sealed configurations.

  - UNRIVALED subwoofers: those needing significant performance, the UNRIVALED subwoofers provide upgraded cabinet design for less resonance and a more substantial build for less kinetic losses caused by driver excursion.  With UNRIVALED subwoofers, you can realistically expect infrasonic performance, especially with the larger 21" drivers.  Available in a 12" sealed, single driver 21" and dual driver 21" subs.

  - 50th Anniversary:  the Nemesis Mk II is a dual 12" sealed subwoofer that has been overbuilt for the absolute best in musical fidelity with some serious power behind it to excel in any application.  The 33 is a massive infrasonic subwoofer with serious clarity up to 80 Hz making it a top performer across the entire LFE bandwidth.

In-wall/in-ceiling/in-floor Subs

For new construction or incognito applications.

  -Signature 12" driver 3" deep subwoofers: providing excellent low frequency effect while being able to fit in between a standard stud bay.  Available in single driver and dual driver configurations.

  -Signature 12" driver 9" deep subwoofers: designed to be used in baffle walls or in-floor/in-ceiling applications.  With only a 6"x12" opening to be used with an HVAC grille for a completely incognito look.

  -Reference 12" driver 9" deep subwoofers:  designed to be used in a baffle wall and utilizing our long throw high fidelity aluminum drivers where maximum performance is desired.

On-wall Subs

For small footprint, out of the way applications.  Also excellent for wave-forming.

-Signature shallow 12" subwoofers: standing only 5" off the wall, these are fantastic to add bass to a room and not have to take up precious floor space or rip up the walls for an in-wall subwoofer.  Available in an active/passive, or dual active driver configurations.

SCHAUMBURG, IL (April 10^th-12^th, 2026) – AXPONA is a one of the preeminent and must-attend events featuring HIFI audio equipment for consumers, manufacturers, and retailers that occurs annually in the US. Sound Approach was once again in attendance, along with approximately 13,000 others, to experience and enjoy some amazing products from the over 230 exhibitors on display.

We’ll be running through some of the highlights of the show and discussing what we feel are truly standout exhibits of the Ear Gear Experience – from the Audeze LCD-5 to the ZMF Atrium – we’ll lay out our impressions for you in the below article.

The beginning of this show, like many others, starts with picking up your attendance badges in the front lobby. When we arrived on Friday morning, we were enveloped by a large and diverse group of people already in line to get their badges. Attendance skyrocketed by several thousand from 2025 and it really felt like nearly double the amount of people were there. Exhibitors were on several more floors as well, giving attendees a fully fledged weekend of HIFI enjoyment and listening.

After getting the lay of the land, we decided to start our weekend by visiting the Ear Gear Experience to listen to headphones, DACs, in-ear monitors, amplifiers, and more. We tested nearly everything on display from A to Z (Audeze to ZMF Headphones) and were blown away by some of the exhibits in terms of performance, price, and aesthetic appeal. Our favorites included Dan Clark, JVC, Austrian Audio, and more!

Without further ado, let’s jump into our impressions of the headphones on display at AXPONA 2026!

Audeze LCD-5

What do you look for when you’re listening to headphones? Soundstage? Image and detail? Bass response? All of those things? If it’s all of the above, you’ll definitely need to look into the Audeze LCD-5 Flagship Planar Headphones from Audeze. These headphones are simply exception in detail and offer extreme clarity in the lower ranges with their SLAM technology. Additionally, the headphones are very comfortable and just beautiful. Audeze pays attention to all the smallest details from design to engineering to demonstrate why they’re such a fantastic option when it comes to headphones. The only barrier for enjoyment is the price at $4500 retail. However, for fans of Audeze or someone who has an earlier model, you won’t be disappointed by this pair of headphones!

Dan Clark Audio Noire XO

This brand was newly introduced to us at the show and we were extremely impressed with the overall sound quality of each headphone in the lineup and how they’re broken down by series. It’s difficult to find a truly stepped and gradual increase in performance as you move up and down a line, but Dan Clark has done an excellent job with their Planar Magnetic and Electrostatic headphones, including a Closed and Open-back design for each model (save the Corina).

We listened to every headphone on display and noticed the same thing throughout, robust bass and tight vocals that resulted in three-dimensional presence and fully fleshed out transparency that improved in quality as you moved up from one series to the next. Our favorite in terms of value for overall performance against the price were the Noire X and XO, specifically the closed back model, which had exceptional bass and warm tone in the mid-range. The design is bit unique with the wired headbands but they seem durable and designed for overall comfort and longer listening sessions. Some of the headphones, like the Stealth, are more power hungry than others and require more to drive at optimum levels, but with the correct desktop amp you won’t have any issues enjoying these headphones. A special thanks to Grover as well for taking the time to run through each of the headphones with us!

Sivga SV021 & Sendy Audio Egret

The presentation of Sivga & Sendy Audio equipment is really appealing, with the leather cases and the unique and modern aesthetic choices. However, some of the products suffer from limited performance (for the price), which is frustrating. We really wanted to be blown away by these products, much like we were with the ZMF Headphones at the Florida International Audio Expo. Unfortunately, not all of their headphones demonstrated sound to match the visual appeal and price tag.

The Sivga SV021 Pro Dynamic Headphones sounded really decent at $149 retail. These are a standout piece in terms of aesthetics at that price point and it’s hard to say if we’ve ever seen anything that looks quite like this. The performance is better than what you would expect for lower priced headphones as well. We noted good separation of instruments, detail and clarity in the mid-range, and dimensionality in terms of the soundstage. As far as overall performance and value, these are a good dynamic-drive headphone.

Moving to Sendy Audio, a sister-company to Sivga, we were a little disappointed by the performance of some of these Planar-Magnetic headphones. When we asked to test a few pairs, we were told the Peacock model was the flagship unit. This is a little difficult to believe in terms of overall performance because the audio really suffered from non-existent bass and echoey vocals and harsher higher frequencies. The sound performance just seems disjointed or discombobulated and definitely not worth the $1499 price tag.

However, the lower-priced Egret at $799 retail sounded much more consistent across the frequency range, much more bass response, and warmer/richer tones. The Egret also had a unique design build that made it more appealing, in our estimate. With this said, it’s difficult to understand how they landed on the much higher price point for the Peacock. Between the two, the Egret looks and sounds better but is half the price…in summary, it’s just confusing.

The important thing to keep in mind for both Sivga and Sendy Audio, it’s necessary to do your research before you purchase to ensure the product is well-received with positive reviews. Sendy Audio has a different idea of luxury and the presentation of their products is just about second to none, but the quality of the sound, which is even more important, needs to be considered when they price their units for consumers. We hope they do this better with future models.

JVC IEM Wood Masterpiece

When most people think about JVC, they envision the gigantic camcorders from the Jurassic age (aka 1990s) or more likely, projectors, from this century of electronics. However, in the past few years, they’ve embarked on a new project to manufacture in-ear monitors with the spectacular sounding Wood Masterpiece! These are a must have for anyone who enjoys IEMs or is looking to upgrade to improve their sound quality, wireless connectivity, or overall aesthetic.

In-Ear monitors can be hit or miss depending on the brand and the features they have. JVC really did an excellent job with the Wood Masterpiece to ensure that the sound quality was above reproach and that features like the 6.0 Bluetooth, noise cancellation, and rosewood diaphragm features really set them apart from other IEMs on the market. The tones are warm and rich with excellent clarity and isolation, because the noise cancellation really does cancel noise. When we were listening, we couldn’t hear any external noise at all, even when they weren’t being played. The price of $349 seems like a very reasonable cost for such an incredible piece of equipment and we were very impressed with what JVC was able to produce.

Austrian Audio Arranger

One of our favorite performers from AXPONA 2026 was the Austrian Audio Arranger Premium Reference open-back headphones. Across the board, Austrian Audio is really able to capture excellent performance with their products but the Arranger stood separate and above the others. Coming in at $1099 retail, consumers would be hard-pressed to find anything else with the same level of sound quality at a similar price point. Additionally, the Arranger folds up for easy storage or to lay flat on a table or desk. This isn’t typically a feature you find on more expensive models, but does allow it to be more flexible and geared toward everyday listening rather than a unit isolated to your desktop or production space.

These headphones are perfect for any scenario of listening with a pro-audio look and feel. The overall performance is dynamic and three-dimensional, the bass response tight and detailed, and the vocals are silky smooth and airy. After about 20 minutes of testing, we realized that we just wanted to keep listening and went through 3 or 4 more of our favorite songs before hesitantly moving on to test more headphones. For the price, for the performance, for the look and feel, these were at the top of the list of everything we listened to!

HIFIMAN HE1000 WIFI

Newly released to the US Marketplace, HIFIMAN has introduced WIFI models of some of their signature headphones like the HE1000 and Arya. The WIFI models have a sleeker look and feel to them as well as a new color palette to go with the redesign and which incorporate the design aspects of the super popular HE1000 Unveiled. The wireless features also allow for the flexibility and versatility that high quality headphones currently demand.  

The Arya WIFI and HE1000 WIFI both have improved performance over their stealth counterparts with the open-back design that allows for a slightly wider soundstage and more detailed imaging. The WIFI models are also very comfortable with the wider adjustable (and perforated) head strap that disperses the weight of the headphones evenly. The battery life on these models is anywhere from about 6-8 hours, which isn’t great, but just okay. They also include a USB C cable for wired connection for charging and when necessary.

Rather than the previous generation of the Hymalaya R2R DAC, these new WIFI models are using the built-in Hymalaya Pro R2R Mini DAC for improved sound performance. This chip allows for WIFI streaming rather than just BT streaming, which allows consumers significantly more processing power of over 3 mbps compared to less than 1mbps with standard BT connectivity. This system is also a step up from prior models that featured the standard R2R DAC chipset.

Completely aside from the new releases of headphones, we also took a look at the EF600 Amplifier & DAC. One of the things that jumped out at me is that the amplifier doubles as a headphone stand. Check out the pictures attached to this article to see the EF600 in action. It’s a fantastic looking piece that sounds great and works really well in any desktop setup as it can serve as your desktop amplifier, DAC, and headphone stand. It’s a phenomenal piece of equipment and we highly recommend it to those of you looking at HIFIMAN (despite not really being necessary with the WIFI headphones, we obviously understand that).

ZMF Headphones Atrium & Aegis Amplifier

Sitting down to listen to the Atrium Headphones connected to the Aegis Amplifier was more of a chore than I expected it would be. Not because it sounded bad, it didn’t. And not because it wasn’t enjoyable, it most certainly was. It was a chore because there was literally a line of customers standing two or three people deep at times that made it difficult to get a spot at the table for testing. When walking around the Ear Gear Experience we kept having to make loops around the ballroom hoping for an open seat when we came back around. Finally, on the last day of the show (when the attendees had cleared out quite a bit) we were able to get a seat for testing these headphones. A sign of a successful product is one that the consumers don’t want to stop listening to.

The wait for a seat was worth it because the Atrium headphones really are that good and didn’t disappoint us. The design of ZMF headphones as a brand sets them well above and beyond most of the other headphones in similar price ranges and ZMF has managed to captured stunning sound quality with a wide-open soundstage, detailed imaging and extraordinary detail in depth with their flagship Atrium. On top of that, the vocals and mid-range tones are extremely natural and dynamic. The Aegis Amplifier adds additional dimensionality and warmth to the performance as well, leading to a smooth, inviting, and rich listening experience.

Wearing ZMF headphones is an enjoyable experience for more than your sense of hearing as well because ZMF understands comfort. All of their headphones feel like a baby’s breath when the lambskin pads settle over your ears. They’re gentle and unassuming and they feel expensive and luxurious. Because of the high-quality of the build and materials, the whole experience is quite invigorating and restores your faith in the audio industry. There are high-quality and high-fidelity products out there and once you experience ZMF headphones, you’ll understand what we mean.   

Axpona 2026 – Headphones In summary

Audio shows are one of the best opportunities consumers have each year to test out new, innovative, or difficult to find products. It allows them the chance to compare a $200 pair of headphones to a $5000 pair or planar-magnetic to an electrostatic. It allows them the opportunity to listen to a solid state or tube amplifier that may not be on display at their local brick and mortal audio shop. Or, it’s a chance for them to sit down with their favorite brands to discuss what’s changed and the insights they may have on the products that may help inform the next generation of design.

Each show offers a unique opportunity to listen to some of the best products out there and gauge firsthand what sounds best. We highly recommend shows like AXPONA because they understand and appreciate how important a role testing equipment plays to the consumer. Don’t miss it next April and we hope the above article helps you be better informed about what’s out there. Thank you!

Hi everyone and welcome back to Sound Approach! Today, we’re diving into two wireless gaming headsets from Audeze: the original Maxwell, and its newly released predecessor, the Maxwell 2. Both have the company’s signature planar magnetic drivers and aim to deliver audiophile-grade sound to gamers and music lovers alike. But there are some key differences you’ll want to know about before deciding to upgrade or not. Let’s break it down.

The Maxwell established itself as fantastic and extraordinarily popular gaming headset thanks to its exceptional sound quality, long battery life (80+ hours), and cross-platform wireless BT connectivity. It’s a headset that holds up even years after the original launch due to the aluminum and steel construction and it offers detailed audio and low distortion with outstanding frequency response, detail, and imaging.

Now, in early 2026, Audeze has introduced the Maxwell 2, building on the Maxwell foundation but also refining a few core aspects.

Both headsets use 90mm planar magnetic drivers, which deliver more accurate sound than typical gaming headsets that have dynamic drivers. On the original Maxwell, these drivers delivered expansive sound with a rich midrange and punchy bass, making it stand out among gaming headsets. Especially, the XBOX version which has Dolby Atmos for immersive gameplay.

The Maxwell 2 carries over the same driver size and enhances it with what Audeze calls SLAM technology, available on both the PS/PC and XBOX models and similar to Dolby Atmos, which improves bass response and spatial imaging. After testing both thoroughly, I can confirm that the SLAM technology does improve the imaging and soundstage, adding additional detail and dimensionality to the headphones. This means the bass response feels more impactful, the mid-range and highs are wider and airier, and the overall sense of immersion is more ethereal.

The Maxwell 2 also has an equalizer and sidetone capability built into the headphone to adjust play and listening to suit your preferences. The presets for the immersive and Audeze settings – that’s the name of the settings - are best for casual music listening and the increased treble and immersive presets seem best for gameplay.

Bottom Line (Sound): Both versions sound excellent, but the Maxwell 2 is slightly more defined with additional customization capabilities that the Maxwell 1 doesn’t have. This is really the biggest upgrade from the original version.

Comfort is one of the areas where the original Maxwell had some criticism. While solidly built, its headband and ear pads feel firm after a couple of hours of use. That timeframe is probably in the low-to-medium range for most users, whether for gameplay or music. The heavier weight, at 460g, especially when compared to similar products on the market that are much lighter, hampers the overall comfort. This is less noticeable on the earpads than on the strap that rests on your head.

For the Maxwell 2, Audeze redesigned the headband strap to be wider and ventilated, with many small holes, and equipped the earpads with a magnetic attachment system so they can be swapped and replaced more easily. These are both great updates to the original.

However, the Maxwell 2 is 100g heaver, coming in at a whopping 1.2lbs, due in large part to the design changes, added electronics, and already dense frame. Unfortunately, while Audeze did well to make improvements in sound-quality, they completely failed to make the Maxwell 2 more comfortable. If anything, the Maxwell 2 is more uncomfortable than the original. The new units come with two styles of straps, one thin, without ventilation, and the other about double the width. This wider band does support the weight of the headphones better, but long sessions will most likely end in discomfort due to the heavier weight.  

Unfortunately, Audeze really missed the mark here, failing to take into account this generation where gameplay and listening sessions can last upwards of 4, 8, or 12 hours. This model definitely would have benefited from a lighter frame to offset the weight of the additional electronics and Audeze could have used the criticism of the first model to inform a design change in the 2^nd. If Audeze decides to release a third version, I hope they’ll be able to integrate the same sound technology into a lighter headphone.

Both headsets include a detachable mic, but the Maxwell 2 mic benefits from improved AI noise-removal technology and mic volume adjustments during playback. This allows the user to increase or decrease the mic volume to integrate voice command into gameplay sessions for a little bit more autonomy with the microphone.

The original Maxwell’s mic was solid, well-constructed, and stable, which I really liked. Because I’m not a gamer, the volume level wasn’t an issue for me, but I can see how it’s a factor for avid gamers. Based on reviews by competitive gamers it was often pointed out that the mic on the original Maxwell wasn’t up to pro-streaming standards. The 2’s changes go a long way toward addressing that.

The battery life remains exceptional in both models at over 80 hours, making all-day use and travel sessions a non-issue, other than comfort. This kind of battery life is nearly unheard of in most wireless headphones, so it really stands out as an exceptional feature that helped launch the original Maxwell as such a popular product.

Let’s jump into the bottom line on the Maxwell 2.

If you have the Original Maxwell and are considering an upgrade:

• The Maxwell 2 is heavier than the original and not as comfortable, which can matter A LOT in long sessions.
• The Maxwell 2 does sound better, with additional customization and overall performance improvements, my favorite of which is the equalizer functionality and presets.
• Overall, I don’t think you’re getting enough of an upgrade to justify an additional $350 spend. Given the limited new features, there’s an argument to be made that the Maxwell 2 is more of a lateral update rather than a full upgrade. You’re trading slightly increased sound quality for comfort.

If you don’t have the Original Maxwell and are considering the Maxwell 2 for purchase:

• The original Maxwell stock has sold out at most places except the secondary market. If available, the Maxwell 1 is probably the better option, especially if you can find it at a discounted price!
• If you aren’t able to find the original headphones, the Maxwell 2’s are a good alternative. They sound excellent and do provide immersive listening. They’re high-quality, well-built, and sound great. Just be prepared for a heavier feel.
• We would definitely recommend for both gaming and listening if your sessions tend to be on the shorter side.    

As always, thank you for joining us as we discussed the brand new-release of the Audeze Maxwell 2’s. We hope you’ve enjoyed our content and it helps you decide which direction to go in for your headphone needs! 

The Florida Audio Expo 2026 – In a Nutshell

The size and scope of this show is noticeably smaller than other larger-venue home audio shows like Axpona or Capital Audio Fest. However, this is positive for the attendees because it allows for the opportunity to explore everything on display, listen at a moderate pace, and exhibitors have the ability to answer questions about their products in greater detail and without as much distraction to listeners during the presentations. For consumers that are looking to demo equipment, the Florida Audio Expo offers a fantastic environment to gain the knowledge and experience they may need to move forward with their purchase decision.

While demoing in a hotel room may not be ideal for everyone, it’s far better than the alternative of not being able to demo certain pieces of equipment at all. An exhibitor goes to extreme lengths to ensure that their system is dialed in and able to provide the best experience possible within the space allotted. The rooms at the Sheraton Hotel in Tampa, FL, where this expo takes place, are by and large decently sized and require minimal acoustic treatment. That doesn’t mean that the systems aren’t calibrated, rather that acoustic shields and bass traps aren’t necessary in every space. Of course, not every space is perfect, and there were a handful at this show that suffered from poor acoustics that did a disservice to the equipment on display. But shows like the Florida Audio Expo (and others) still present a golden opportunity for consumers, despite the criticisms they often face from those who are not entirely familiar with the high-end audio industry.

Additionally, unlike many other HIFI Audio Shows, this show also has exhibitors in Car Audio and awards to recognize the best custom automative audio sound systems, presented by the International Auto Sound Challenge Association (IASCA), a sanctioned organization. IASCA presents trophies and awards for various achievements in Car Audio under Sound Quality criteria with an emphasis in tonal balance, imaging, and overall fidelity in the 80-90 dB range. There were a wide-range of entries from installers, demo teams, and hobby enthusiasts and the quality of the systems was comparable to anything found inside the hotel.

In the following we’re going to break it down to highlight some of our favorite exhibits and products and select a final Editor’s Pick in each category. We definitely won’t be able to cover everything that was on display at the event, rather we’ll focus on the highlights and what stood out to our team as exceptional in both quality and performance!

Headphones & Headphone Amps

The first room we visited was setup by Geshelli Labs. They’re well-known in the industry for their headphone Amps & DACs their demo didn’t disappoint. On display in their headphone room were the Geshelli Triple Stacks with various DACs, ranging from the JNOG2/3 to the TORC, all at an affordable price point. The stands themselves are incredibly modern in design and the wood-finish cases for the units add a level of aesthetic design to DACs themselves. The headphones on demo were high quality; ranging in price from a few hundred to several thousand dollars.

The Editor’s Pick for outstanding Headphone performance goes to the ZMF Atrium Hawaiian Acacia Custom headphones paired with the Geshelli TORC DAC. The headphones retail at approximately $2500 and come in numerous finishes, headband chassis, as well as various earpad materials. We listened to the open-back Hawaiian Limited-Edition model with lambskin earpads. These were so comfortable and the sound-quality was so phenomenal that we could have spent the entire three days listening to them! These are comparable in clarity and soundstage to a much more expensive model like the HIFIMAN Susvara and you’ll simply be blown away when you put them on. The Atrium simply outperformed everything else on display at the Geshelli booth, from HIFIMAN to Focal to Grado Labs, nothing could beat these headphones. And the TORC DAC adds a layer of subtlety and depth to the audio performance. The TORC has interchangeable and replaceable DAC boards from Geshelli and is an excellent option for those looking to upgrade their DAC at an affordable price.

There weren’t as many headphones or headphone amps on display at this show, as may be seen at shows like Axpona, but there were a few scattered around in various rooms. Many of which were from local dealers that carry well-known brands. By and large, however, most were paired with extremely expensive amps & DACs that didn’t fit the headphone’s price point. Geshelli did it the best at the Florida Audio Expo this year!

As a sidenote, Sherri Geshelli also participated in the Women in HIFI panel at this year’s event. It was very interesting to learn the impact that women have on their brand in terms of innovation, design, marketing, and more. They have a phenomenal team (predominantly women) in their family-owned operation and have done an excellent job at appealing to a broader and younger demographic within the audiophile community with their relatable social media presence on Instagram.

Benchmark HPA4 DAC 

Benchmark Audio’s flagship headphone amplifier and pre-amplifier features their patented THX-888 circuit board to keep noise and distortion undetectable. It boasts the lowest distortion available from just about every headphone amplifier on the market with a 30-40 dB reduction in THD. This makes the HPA4 a uniquely neutral headphone amplifier, allowing for accurate reproduction of the input signal.

Additionally, the 256-step relay-operated volume control ensures accurate signal and zero distortion at each distinct volume setting and functions much better in operation than a potentiometer resistor, which can have increased distortion based on the gain level. The step-relay is more expensive but it provides superior channel matching and overall audio precision by using fixed resistors to eliminate uneven volume common in lower costing potentiometer units.  

Benchmark was very popular with several dealers and exhibitors at the Florida Expo, with many of their products on display in various rooms and setups. We’ll take a look at some of their other products in the Electronics section later in this article. Overall, their products sounded great and the design and engineering behind each model is incredibly solid and built on a sound foundational understanding of the technology.

Bookshelf Speakers

Sigberg Audio Manta Bookshelf Speakers & 10D Subwoofer

The next room we’d like to highlight was from Sigberg Audio which had the Manta Active Cardioid Bookshelf Speakers and 10D Subwoofers. These are striking in both appearance and performance and we were honored to enjoy them for the first audition in the United States! We listened to these early on in the show and found ourselves comparing them to every bookshelf speaker we listened to after. Especially in terms of the soundstage and imaging, which are simply exceptional. The Manta has a very tall and three-dimensional presence unlike anything else we heard at the show (save for maybe one other pair of speakers). The bass from the 10D subwoofer was tight, clean, with an excellent kick, providing amazing detail in the lower range.

The aesthetic is modern-architectural with a clean design and they present much larger than you might expect based simply on images. At 23.5” tall (42” with stands) with a 12” woofer, 5.5” mid-range, and 1” silk-dome tweeter, they are extremely crisp, clear, and dynamic. The mid-range tonality was extremely pleasing and the upper-range was full and vibrant. The speakers boast an active 3-channel Hypex N-Core with Class D amplification at 600W per speaker. These speakers were also paired with Benchmark & Grimm electronics for streaming and DSP. It was a costly setup, overall, with the Manta Bookshelf Speakers coming in around 20k in price; the 10D subwoofer at 7.5k; and the Benchmark DAC, digital streamer, and DSP processing units coming in at another 30-40k; however, this setup was definitely one of, if not our favorite, at this price-point.

Silent Pound Bloom Bookshelf Speakers

The Bloom Speakers from Silent Pound retail at approximately 18.5-22k (depending on cabinet finish) and are about as unique a speaker as you’re likely to see and hear in this age of audiophile technology. With patent-pending enclosure technology for the mid and high-range drivers, this unique enclosure is intended to optimize the mid and higher frequency sounds which results in a more detailed and nuanced soundstage. This was readily apparent when we first heard them in the Playback Distribution demo room. They stood out as a fantastic speaker, both in aesthetic design and overall performance.

The Bloom speakers were driven by the Java HIFI Double Shot 400 Integrated Amplifier (retailing at $19k) rated for 400W/8ohms and 800W/4ohms, which is where the Bloom speakers operate at 87db. This setup also included the American Debut of the TEAC NT-507T Network Transport, which has been an extremely popular product for TEAC, and difficult to find since its release. Overall, we were very impressed by the imaging of the Bloom Speakers in this setup and the clarity and depth of the soundstage resulted in excellent overall transparency in the mid and higher ranges.

Our team was torn between the Silent Pound Bloom and the and the Sigberg Audio Manta being best in show. The wonderful thing about making this up as we go along is that we have the final say, which means, that both speakers are best in show. They’re similar in pricing, similar in overall performance, and both share a very unique design aesthetic. We strongly feel that they are a perfect match for audiophiles seeking an outstanding performance paired with incredible design and they stand above the other speakers we listened to at this year’s Florida Audio Expo!

LC2 Chesky Audio Bookshelf Speakers

However, there is one more pair of Bookshelf Speakers we’d like to highlight which are in a much more affordable price range. These are the LC2 Bookshelf Speakers from Chesky Audio, a newcomer to the audiophile scene who has garnered a lot of attention, prestige, and notoriety for stand out performance at an incredibly affordable $2,000/pair. This was paired with the Cambridge Audio MXN10 Network Player which sounded excellent together!

On the back of the award-winning LC1, introduced at Axpona in 2025 and the LC2, introduced at Capital Audio Fest, the Show Director, Bart Andeer, was very anxious to have Chesky Audio attend this year’s Florida Expo. These 3D-printed speakers provide excellent HIFI sound, a fantastic design, and overall presence that is very difficult to find at this price. The mid-range is full and bass is surprising for so small a speaker. The unique design and side woofers provide an open and airy soundstage that is dripping with detail.

It’s not just about the speakers but also the story behind Lucca Chesky and the support he received from his family for pursuing innovation within this industry. He has a phenomenal support network in his parents Patricia and David Chesky, who on a sidenote are some of the kindest people you could possibly meet. David is a well-known music producer and when Lucca first brought home the LC1’s, which he built in stages at his high school, David told him, “You’ve got something there!” And was he right or what?!

When attending Axpona 2025, Lucca’s expectation was to receive criticism, not awards. Instead of feedback, the LC1 from Chesky Audio received the Best of 2025 Award from Enjoy the Music and the LC2 has received the 2026 Editor’s Choice Award from Absolute Sound. Despite his young age, despite his attendance to Carnegie Mellon University, Lucca is quickly making a name for himself on the audiophile stage. His success is well-deserved and we can’t wait to see what he comes out with next!  

The 2026 Editor’s Pick for best Bookshelf Speakers is the Chesky Audio LC2! There’s a reason that these speakers have won numerous awards and we couldn’t ignore the incredibly value they offer. The LC2 stands above the others for the incredible value and impeccable performance, coupled with a unique design and interesting personal story. Congratulation to Lucca Chesky for another successful audio show!

Floorstanding/Tower Speakers

Amphion Argon 3LX Floorstanding Loudspeakers

The Argon 3LX stood apart in their price point with a retail entry at $7k (and even higher) as one of the most well-rounded Floorstanding speakers we listened to at this year’s show. We’ve listened to these at previous shows as well, specifically, when attending Axpona 2025, and were similarly impressed. Their small and diminutive nature hide a sleeping dragon in terms of performance, especially when you crank up the volume to get as much out of 85db sensitivity as possible. This classically designed speaker is sleek and simplistic in design. The two-way 6 ½” Mid-range Woofers and 1” Tweeter are tremendous in output.

The sound quality is silky-smooth, tight and crisp, and exceptionally dynamic. They are surprisingly powerful and open and the music sounds three-dimensional and ethereal at times. The bass is also detailed and fast with enough oomph at the low-end to give you exactly the sound you’re looking for on Rock, Pop, Electronic, and Country music tracks. There’s not a lot to say other than, these are excellent speakers and you won’t be disappointed with them!

LUXE T1 Speaker System

Innova Audio Designs and their team-members Yair Raz and Dee Golstein presented a great demo room this year at the Florida Audio Expo. Not just because of the LUXE T1’s striking hand-crafted appearance but also the outstanding presence it has in terms of overall audio performance. Again, this was one of the first speakers we listened to at the show and set a high bar for other, similar speaker setups for the rest of the expo, that was difficult to compete with.

The LUXE T1 Speaker System has an incredibly slim profile and is exquisitely manufactured. The side facing subwoofer drivers allow for a room-encompassing soundstage that is detailed, three-dimensional, and warm, with nearly 180 degrees of dispersion. These speakers are truly room-filling! And due to the unique placement of the woofers, it allows for close wall placement working in both small and large spaces.

This system totals ten speaker drivers, four DSP amplifiers with 1100W of total power, and works well for both music and movies. It comes in at approximately 50” tall, when seated on the IsoAcoustics GAIA III vibration and isolation damping feet, and each speaker weighs just 53lbs, which is much lighter than many speakers of a similar size. It has eight 3” x 6” subwoofer drivers with 500W of Class D amplification, a 6.5” mid-woofer driver with a 500W Class D Amplifier, and a 26mm TPCD Tweeter with 150W Class D power. They’re easy to move around, easy to position, and look and sound great at the same time!

The LUXE T1 is on the pricier side, starting at $24k/pair, and higher for premium or custom finishes. But the bottom line, you’ll be hard-pressed to find something as customizable with extraordinary hand-crafted finishes from another US manufacturer. The quality you get at that price point is second to none and this was definitely one of our overall favorites from the Florida Expo.

Gersmann Acoustics Symphoria Floorstanding Speakers

The Symphoria is an award-winning Floorstanding Speaker, receiving best-in-class by Enjoy the Music and the Golden Ear Award by Absolute Sound in 2025. It definitely lives up to the hype and does so in an eye-catching manner!

Gersmann Acoustics has been around since the early 90s and showcases what is possible in terms of design and quality. Their speakers offer more than just excellent sound quality and take design to its artistic limits and beyond! The Symphoria exemplifies this with a standout design that marries form and function.

It has a three-way sealed design with dual 8” woofers, a custom midrange and 1” tweeter that “floats” or “sits” on top of the bass enclosure with IsoAcoustic pads for vibration damping. The mid-range and higher frequency sound quality is crisp and clean with excellent transparency and imaging and the bass is extremely tight with excellent overall depth and impact (probably due to the dual patented bass trap that redirects energy before it can reach the code). Their claim that it’s perfectly controlled is difficult to verify but the bass is definitely not muddy and comes through in surprising detail.   

It was a close thing, but the 2026 Sound Approach Editor’s Pick for Floorstanding/Tower Speakers from the Florida Audio Expo goes to Innova Audio Designs for the LUXE T1! We love the others on our list as well, but the T1 really stands apart as a truly unique piece with amazing sound quality and aesthetic impact.

Subwoofers

Temporal Acoustics Lorica Subwoofer

Sebastian Hasbun is a young and new designer on the audiophile scene. He is smart, well-educated, innovative, and open to trying new ideas and solving unique problems that exist in the audio world.  He graciously spent a few minutes discussing the absolutely singular Lorica subwoofer with us so we could learn more about his story and the inspiration behind this incredibly unique subwoofer. The Lorica was on display with the Popori Vitorla Speakers, and this subwoofer immediately stood out to everyone in attendance as something special.

Sebastian’s set out to design and manufacture a speaker that could complement the extremely quick characteristics of electrostatic speakers, primarily. Additionally, he wanted to design something that would provide an emotional impact to the listener by lifting the veil and improve the details usually missed in the lower register. One of the complaints that many people have with electrostatic speakers (beyond the cost) is the muddiness and lack of a dynamic bass response. Utilizing an entirely new concept to design a teardrop-shaped, seamless pressure vessel for additional vibration damping, it seems that Sebastian has accomplished his task. The Lorica features dual ultra-low distortion 10” Purifi drivers rated to 15 Hz. Additionally, the Lorica integrates DSP electronics from RBH Sound as well as custom binding posts from VIABLUE (another of our favorites, as mentioned above).

The bass was detailed, fast, elevated, and incredibly layered. When we first entered the room, the bass was the first thing noticeable. It added a dimensionality to the Vitorla electrostatic speakers that, for our team at least, was lacking at previous shows without the Lorica. The speakers added the dimensionality that’s necessary for clean imaging and transparency. The speakers disappeared entirely and the bass was felt vertically (up and down) rather than horizontally and through vibration in the floor.

The Lorica is currently retailing at approximately $7.5k, which takes it outside of the super affordable range and is probably the only downside to this speaker. However, it’s exciting to see new designers receive the support they need to encourage innovative design and the application of fresh ideas in this space. Sebastian is smart, well-educated, innovative, and open to trying new ideas and solving unique problems that exist in the audio world, similar to Lucca Chesky. Perhaps one day we’ll get a collaboration between Sebastian and Lucca? That would be very exciting, indeed!

Given the unique characteristics, fantastic design and build quality, as well as overall performance, we’re naming the Temporal Acoustics Lorica Subwoofer our Editor’s Pick in this category!

HIFI Cables

VIABLUE Cables

The Florida Audio Expo had just about every cable for every situation from many industry-leading brands (in either quality, popularity, or both). The super high-end systems had everything ranging from AudioQuest to Esprit to Cardas Cables. Many exhibitors also displayed with WireWorld, a staple in the Florida area, because of their faithful and neutral signal reproduction, high-quality engineering and manufacture, and clean aesthetic.

However, despite these more well-known names on display, a relative newcomer in the US marketplace and originally presented at last year’s show with just a single small booth and a few select exhibit partners, ended up as the preeminent cable company on display at the 2026 expo. VIABLUE Cables has done an extraordinary job increasing the visibility of their well-engineered cables in the US audio market. At a rough estimate, VIABLUE was represented in nearly 25% of the exhibition rooms this year. Geshelli Audio used custom NF-S6 XLR Interconnects in some of their headphone stacks while Focal, who had an excellent exhibit, used VIABLUE Speaker Cables. It’s difficult to gauge the overall impact of cabling without testing them in an A/B environment, but it is telling that so many exhibitors decided to connect their systems using VIABLUE cabling.  

Last year we had the opportunity to meet with Anke Patt from VIABLUE and discuss their company and cables in-depth. If you’d like more information about this wonderful organization or their cables, we highly recommend watching this interview with Ms. Patt on our YouTube Channel @SoundApproach1972.

It’s fantastic to see the growth that this company has seen over just a single year. It also demonstrates the ever-changing landscape within the audio community as new products are introduced to the market. VIABLUE is quickly becoming a prominent name in high-end audio synonymous with high standards, outstanding performance, and exceptional value! For these reasons, we are naming VIABLUE as our Editor’s Pick for 2026!

Turntables

Pear Audio Blue Capt. John Handy Turntable w/ Corent 1 Tonearm & Ortofon MC X40 Cartridge

As always there were some excellent turntables on display from manufacturers like Linn Turntables, VPI (by dealers), as well as Pear Audio. Overall, we were most impressed with the options from Pear Audio, including the Blue Capt. J Handy Turntable, specifically. This was much more affordable in price than the Blue Aras, also by Pear Audio, on display in another room. Paired with the Marten Parker Duo Bookshelf speakers, the Capt. J Handy performed exceptionally well, with clear detail, a smooth and airy mid-range, and exceptional dimensionality.

The turntable itself has additional damping features in the feet and motor not present on the lower range models, and employs the unique uni-pivot Technology, designed by Tom Fletcher, to properly maintain the azimuth using a proprietary material that has specialized viscosity to prevent flow and the need for “settling time” that exists on other brand’s similarly-designed tonearms. The end result is impressive sonic timing and faithfulness to signal reproduction.

The overall setup was impressive and much more affordable than may of the other exhibitor’s systems on display. We are very excited to name the Pear Audio Blue Capt. John Handy Turntable our Editor’s Pick for this category!

Amplifiers

VAC Master 300 iQ MKII Musicbloc Power Amplifier

The Florida Audio Expo had several well-known and high-end amplifier brands on exhibition. Let’s take a look at the VAC Master 300 iQ MKK Musicbloc Power Amplifiers that performed the best. Retailing at $50k per unit and paired with the Acora VRC Loudspeakers (retailing at over $200k), this is one of the coolest and most unique pieces of electronics we’ve seen. This is a hand-built unit that brings exceptional transparency and imagery and stands above other tube amplifiers. It can process signal in either stereo at 160w/channel or mono for a dedicated 300W.

VAC (short for Valve Amplification Company) has been around since 1990 and their products are manufactured in Florida.  This company is most well-known for its tube amplifiers and pre-amps. They are nearly always in attendance at high-end audio shows and are usually the best in performance. This show was not an exception.  Only the VAC engineers know what they put into the soup to make it so good, but their patented iQ Intelligence Continuous Automatic Bias System is definitely part of that success. Historically, after almost 100 years since tube amplification was invented, the triode vacuum tube remains the most linear amplifying element. 

VAC and the world’s foremost guitarists use tube amps, and why some of the best microphones and studio processors. Tube technology is also prized by the world’s best recording studios, such as City of Stars Recording Studio in San Francisco, CA and the OLD Capitol Recording studios. At the next show you attend be sure to check out any exhibit by VAC and you won’t be disappointed!

Advance Paris A12 Classic Integrated Amplifier

Advance Paris amplifiers push the envelope for high quality sound in an affordable price range.  Advanced Paris is a French company established in 1995, which started out developing Speakers. It was not until 2002 that they developed electronics. Originally launched in the USA in 2013 with the electronic brand consisting of Power Amps, Integrated Amps, Pre-Amps, CD Players, and more. They stated that their goal was to deliver uncompromising sound quality at affordable prices. There were two rooms at the show with Advance Paris electronics driving high-quality performance of sound that definitely improved the overall sound quality of the speakers compared to performance with lesser electronics. For Advanced Paris they have found a way to establish “A Harmonious Blend of Technology and Art” that really amplifies (pun intended) the performance!

Our favorite piece, the A12 Classic Integrated Amplifier, was paired with the Amphion Argon 3LX Floorstanding Speakers, mentioned above. This amplifier retails at $4.5k and you are able to experience the value for every dollar spent. This dual mono amplifier is an upgrade to the A10 Classic and features additional inputs for more versatility within an existing system, including BT with aptX technology for streaming from your digital device. It is powerful enough to drive just about anything with the dual toroidal transformers that product 190 W at 8 ohms per channel. The A12 also has two vacuum tubes on the pre-amp stage that add incredible warmth and depth to the sound. Given these features, the excellent sound quality, and not to mention the price-point, the A12 Classic is our Editor’s Pick for the Florida Audio Expo in the Amplifier category!

If you’ve made it this far, we sincerely thank you for taking the time our of your busy schedule to join us in our journey at the Florida International Audio Expo. As can be seen above, we certainly enjoyed listening to so many amazing products and sharing our thoughts and opinions with you. Attending an audio show is a singular experience and this annual event in Tampa, Florida is one of the best in terms of combining a laid-back atmosphere with a truly engaging and educational experience. We can’t recommend it enough for new and established audiophiles. Thank you, dear reader and be well!

The Future of HiFi Audio & Review of the Florida International Audio Expo

Those of you who have read my articles in the past know I appreciate the subtleties of the audio industry just as much, if not more, than the latest and best new craze that’s available in the HIFI and high-end audio world. But many have asked me what I think the future of HIFI Audio looks like. Attending audio shows is the perfect avenue for perceiving and understanding the industry as a whole, the motivations behind the manufacturers, and the drive that exists to improve sound quality through their unique innovation and design. Additionally, it’s an excellent opportunity to simply meet with people who share the same passion and joy for music that we all have and gauge what the future will look like for high-end audio. Not the technology, per se, but the environment it will exist in.  

My favorite show of the year is hands down the Florida International Audio Expo (FIAE). It’s large enough that you can experience a wide variety of different and well-known brands and new products as well as enjoy what this market has to offer in terms of technology and design. It’s also not so large that you get lost in the mix trying to see everything in so short a timeframe as a single weekend. Bart Andeer, the Director of Show Operations for the FIAE, demonstrates this philosophy by offering a welcoming and family-friendly atmosphere geared toward reaching new attendees as well as younger generations through emotional connection. His goal is to share the HIFI world with these newcomers who can grow to appreciate the music and equipment as much as himself and others.

I sat down with Bart this weekend to discuss the success of the latest show, which grew in attendance by 15% from last year’s expo, and dig into what makes the FIAE one of my must-attend events of the year for both consumers and vendors alike and why it’s a great indication of how future shows will perform. I am always surprised by the friendliness among so-called competitors and their willingness to share information openly, honestly, and without pressure to purchase.

Before attending the show this year though, we had a viewer from our YouTube channel comment that they felt like the Audio Industry was in steep decline and the death of HIFI was soon on the horizon. After attending the FIAE, I couldn’t think this is further from the truth and that statements such as the above have been making the rounds for years, if not decades. I believe opinions like this are misguided because of their misunderstanding of the industry itself rather than their disinterest in quality music or mistrust of high-end audio equipment. While this industry goes through ups and downs like any other, it’s been readily apparent, to me at least, that the need and want for high-quality sound performance is something widespread and much deeper than most people may understand.

Music is in our DNA. It’s been a part of our culture, of every culture, since human beings first began walking upright, and probably even before that. I don’t know the specific pre-history of music but I do know that some of the earliest human artifacts are flutes made of bones and wooden pipes that are over 40,000 years old. Just imagine the very first “audio expo”, with a family of early and pre-modern humans sitting around a campfire vocalizing in harmony, playing a bone flute and drumming on the log they’re seated on. The purpose of the gathering wouldn’t necessarily be to discuss the flute but imagine if one of the people in that group had never heard a flute before and how impactful it would be…We carry that tradition on to this very day through people like Bart Andeer and his team. It’s quite an impressive legacy when you sit back and think about it!

Another aspect that is clear to me is the passion most of the attendees, exhibitors, and event organizers have for sharing their knowledge and love for music. We each express our joy for music differently, we prefer different equipment and tones, or have different budgets open to us. Ultimately, the music itself is something that we all can relate to and something that ties each of us to one another regardless of what system or equipment you’re using to listen. The music is what’s important and sharing the understanding with someone new is an important factor. And every once in a while, you just might be blown away by that new device that does something you didn’t think was possible.

But despite all of the innovation that has come along in the last 50-60 years there is still a deep-seated love for vinyl, or CDs, or even reel-to-reel. Despite how much more convenient things are with the internet and wi-fi and streaming consumers still want to purchase vinyl record, turntables, phono stages, and tube amps. The audio world has changed and it hasn’t changed, which means there is something for everyone no matter your preference or price-range.

I’m lucky to see the reason why this is the case. I’ve witnessed first-hand the relationships that exist because of this industry and how it feels to be welcomed into a group of people regardless of your age, sex, race, creed, or wallet-size simply because of a shared joy that comes from listening to music. And for those out there that question whether or not you have to be a millionaire to participate, I say, there’s a price-point for everyone. You won’t be left out of the club simply because you can’t afford the most expensive speakers on the market.

During this year’s expo I met with a new designer by the name of Sebastian Hasbun, the engineer and designer behind the incredibly unique Temporal Acoustics Subwoofer on display with the Popori Acoustics Vitorla. His introduction to the high-end audio world was a demo set up by Unique Home Audio where they set up a listening session for him to hear the Magico Loudspeaker despite knowing he was never going to purchase. What they really did was open their arms to him in welcome and help him to solidify an idea based on the experience and knowledge he already leading to an innovative and high-quality design, different from anything you’ve seen before.

It's experiences like these that Bart feels are critical for expanding the audience (pun definitely intended) to younger generations who may not be familiar with quality-sound. Experiences that shape and mold young people to pursue their creativity and passion in the future. And experiences that make high-end audio a safe and welcoming space for everyone. We discussed this aspect of the Florida Show in detail in our interview available on our YouTube channel @SoundApproach1972 and we highly recommend you take the time to enjoy it.

On that note, I’d like to leave you with one anecdote from Bart (and his colleague Ken) that I think applies to all of us when looking at the future of HIFI audio…We don’t have the responsibility to fix what’s wrong with the whole world. If you’re walking down the beach and you see a bunch of starfish stranded on the sand and pick up one to throw back in the ocean, you haven’t saved just one starfish, rather you’ve saved all the generations that come after it. In this context, if you bring one person into the HIFI audio world, you haven’t just brought in that person but all the people that come after them. This is how music has carried down to us through the millennia and why it will continue long after we’ve turned into dust. The future of HIFI and high-end audio is very bright indeed, especially with people like Bart Andeer at the helm who understand that creating a safe and welcoming space is one of the most important factors to introduce younger generations to our world.  

Believe it or not, the question “To Port or Not to Port” has been an age-old engineering argument since the beginning of speaker design.  Speaker manufacturer “A” says they can control the drivers better without a port and manufacturer “B” says they can achieve better sound and use less power by including a port. What is a ported speaker and what does it matter?

Porting a speaker refers to adding a tuned port or vent to a speaker cabinet or enclosure.  This open space allows air to flow in and out of the cabinet, enhancing the speaker system’s low-frequency response. A ported speaker is also more efficient by venting out the unused sound energy and pressure created by the cone during its backward motion. This “venting” allows the speaker to operate with less power, lower distortion, and improved bass response. 

To get a better idea of how the port in a loudspeaker cabinet works, think of blowing air across the lip of a bottle.  At some point, the air pressure and bottle column combine to make a noise.  That noise is referred to as the “Helmholtz Resonance.”   As the volume changes with increased or decreased liquid in the bottle, the “sound” you hear changes in frequency. A similar process occurs with a ported speaker where air from the motion of the woofer is pushed through the opening in the cabinet, enhancing or highlighting the soundwaves

This leads us to the next argument in speaker port design: Where should the port to be located on the cabinet for the best sound quality? For the port to truly yield a sonic benefit, it must be placed in the optimal spot on the speaker cabinet. Ports also require a specific diameter or shape for ideal tuning, in relation to the woofer.  This is where the term “tuned port” comes from.  Because each speaker is different in its characteristics, manufacturers must run hundreds, if not thousands, of calculations, tests, and simulations to determine the location, size, and shape of a port that best suits a particular speaker.

For example, KEF, a well-respected and noted ported speaker manufacturer, believes from their years of engineering and testing, that ports in loudspeakers should be located high or low on the back of the speaker cabinet rather than centered on the back or anywhere on the front. Alternatively, Triangle Audio Speakers prefers a front port on their cabinets, below the woofer. Both manufacturers are well known for excellent sound-quality and take the time and effort to ensure that the port placement improves the overall performance of their speakers. 

Whether a port is on the front or back, including a port adds extra output below the design frequency response specification of the woofer itself operating in an enclosed cabinet. As the response of the woofer goes lower and lower in frequency, it starts to roll off, or dissipate, and is no longer able to reproduce any lower frequencies. For improved bass response, a manufacturer may include a bass port into a speaker cabinet to achieve lower, better-sounding bass than the woofer can achieve on its own.  Essentially, the manufacturer is adding an organ pipe to the cabinet that doesn’t require additional power to function. Like an organ pipe, the port generates its own unique frequency based on diameter, shape, size, and location.

Front vs. Rear-Ported Speakers

A front-ported speaker, as the name suggests, is a speaker design where the port or the vent is located on the front of the speaker cabinet.  This configuration allows the sound from the rear of the speaker cone to combine with the sound from the front, projecting bass into the listening area.  Front-ported speakers are known for their versatility in placement, as they do not require as much space behind the unit as rear-ported speakers. This makes them an ideal choice for rooms where space is at a premium or when the speakers must be placed close to a wall, like in a cabinet.  However, like all speaker designs, front-ported speakers also have their nuances.  For instance, they might not deliver as much perceived bass as rear-ported speakers, especially in rooms with other acoustic issues.

Rear-ported speakers, ported in the opposite direction of the woofer, are excellent for larger spaces where the speakers can be positioned away from walls, which allows the sound waves to disperse naturally.  They’re often favored by fans of bass-heavy genres such as rock or hip-hop. On the other hand, front-ported speakers deliver a versatile performance in diverse room settings—even when placed close to walls, making them suitable for smaller spaces or rooms with specific layout our boundary constraints. 

As always, the listening experience can vary greatly depending on individual preferences, room characteristics, and the type of music being played. The superiority of front or rear-ported speakers largely depends on individual preference, room layout, speaker placement, and musical taste. 

In my personal experience, both designs have their unique allure, and the ‘best’ one is often the one that aligns with your personal needs, preferences, and room size.

Tuning & Port Plugs

Speaker placement is important, and speaker ports play a large role in determining proper placement. However, the speaker design also impacts placement as well. Is it a tower speaker, a bookshelf speaker on a speaker stand, or a bookcase speaker sitting on a built-in cabinet in the room?  What is best for each position?  How does the port react with the surface its facing? Should the port need to be partially or fully plugged? Keep in mind, that the best position may not necessarily be the best looking in your space.

Looking again at the Helmholtz Resonance, surfaces behind a speaker add or detract from the speaker performance, just like adding or subtracting water from the bottles.  Surfaces behind the loudspeaker may increase the bass response through reflection, which can cause the lower frequencies to lose detail or be too prominent.  When facing a wall or a corner, the added bass response from the port can many times be overwhelming.  To help correct this issue you can move the speakers further away from the wall or corner. Alternatively, if movement isn’t an option, like a speaker that is sitting in a cabinet, it may be necessary to install a port plug, available from the manufacturer. These are customizable plugs that plug into the port and attenuate some of the extra bass the port would otherwise provide.

If your speakers have ports and the manufacturer supplied port plugs, experiment with the plugs to find the response that is most pleasing to you.  To help your ears along, start with the bass ports completely plugged and remove the plug in each subsequent speaker position, remember to test the same music for each position. You’ll hear the bass open up as you do this, and eventually you’ll find the optimal integration between the lower, mid and high frequencies.

Ported Speakers & Proper Placement

1.    A rear-ported speaker should - at a minimum - sit twice the port width away from the wall (i.e. a 3” diameter rear-ported speaker should sit at least 6” away from the wall).

2.    If it cannot be placed that far from the wall, then the port should be plugged.

 Speaker Position

 Distance from the wall, based on the rear port is only one consideration - another important one has to do with how low frequencies coming from the front of the speaker interact with the wall behind the speaker.  The distance from the wall can cause cancellations in the bass from reflected sound waves.

 How to positon your Speakers - Poor Man’s Way

 An easy way to get ‘in the ball park’ is to do the following:

1.    Stand with your back against the wall

2.    Start talking in a consistent, deep voice

3.    Listen to your voice - you should have depth and power

4.    Now start inching off the wall. By about 6-8”, you should expect to hear a change in your voice - less depth, less power

5.    Keep going, inch by inch. Eventually - maybe after 18-24”. You will hear the power come back into your voice.

6.    Keep going - do you gain more depth and power, or does it stay consistent?

7.    Keep going back and forth and find where your voice sounds the deepest and most powerful

8.    That’s where you want to have the speaker!

If for some reason you CANNOT have the speaker set very far from the wall, it is absolutely ok to palce it closer. Just remember to plug the port if doing this - being very close to the wall gives you additional bass boost that the port provides when the speaker is sitting off the wall in its correct position.

Final Thoughts

The choice between front and rear-ported speakers is largely subjective and depends on various factors like personal preference, room size, and musical taste.  Rear-ported speakers might be the perfect fit if you have enough room to let the bass frequencies disperse properly and you prefer an immersive, deep bass experience. Alternatively, if you have a smaller space or prefer a balanced, detailed sound, a front-ported speaker might be more to your taste.

Remember, the overall sound quality and listening experience are heavily influenced by correct speaker placement, as well as the naturally occurring room acoustics, so don’t hesitate to experiment with different positions until you find the sweet spot. Ultimately, there’s no ‘one-size-fits-all’ solution when it comes to speakers, what matters the most is what sounds best to you.

When it comes to creating an immersive home theater experience, the setup and configuration of your surround sound speakers will make all the difference.  Have you ever wondered, "Where do I put my speakers in my room, and at what level should I set my surround sound speakers' volume”?

In this article, we’ll explore the various aspects of calibrating your surround sound system, ensuring that your audio experience is nothing short of perfect!

Let us review what a surround sound is:  Surround sound is a multimedia audio technology that replicates sound coming from multiple directions, creating an immersive experience.  Unlike traditional stereo sound, which uses two channels, surround sound typically comes in configurations like 5.1, 7.1, 7.2 or even more advanced setups like 9.1, 9.2, and 11.2.  The numbers refer to the total number of speakers and subwoofers in the system.

For Example:

A 5.1 system consists of five main speakers (front left, center, front right, rear left, and rear right) and one subwoofer for low-frequency effects.

A 7.1 system adds two additional surround speakers for even more immersive sound.

A 7.2 system adds the two additional surround speakers and a second subwoofer.

After 7.1 or 7.2, the added channels for 9, 11, and 13 are referred to as “Atmos Surround.” 

In all cases, bass improvement is amplified with a second, third, or fourth subwoofer.

A standard surround sound system consists of several key components:

Speakers: Each speaker [5-7-9 plus sub or subs] is strategically placed in your room to produce sound from different directions.

Receiver: This is the hub, the electronic traffic cop, that processes audio/video signals from each of your sources and routes them to the appropriate speakers and display [monitor or TV set].

Source Devices: These include streaming devices, Blu-ray players like the Magnetar UDP800 MKII, turntables like the TEAC TN 5BB, or CD Players like the Unison Research Unico Duo.  All sound sources send audio/video data to the receiver.

Calibration Tools: Most modern AV receivers come with built-in calibration tools that help adjust speaker levels automatically.  Alternatively, you could acquire a multi-channel set up disc [if you have a turntable] from Avia, Sound & Vision, or DTS.  This disc will help you calibrate the listening levels for your speakers and subwoofer.  The disc has sweeps of frequencies from 20 Hz to 20 kHz for all channels. Understanding how to use the built-in calibration tools and manual tools will help you grasp the importance of setting appropriate levels for each speaker in your system for ideal surround sound performance.

How do I set up the speakers in my room?

Speaker Placement when setting up your Surround Sound System:

Proper placement ensures that sound reaches your ears from the intended angles.  Here’s a basic guideline for speaker positioning:

Front Speakers: These should be placed at ear level, approximately 20 to 30 degrees from your listening position. Placement of front speakers should be in line with or slightly in front of the TV screen plane, but never behind the face level of the TV. If positioned behind the front of the TV, you WILL lose left and right imaging, especially with music.

Center speaker: The center channel is responsible for dialogue and vocals in movies.  Ensure that it is audible and clear without overpowering the other speakers.  The center speaker should be directly aligned with the center of the television and as close to ear level as possible.  Many times, that is not possible.  When the center is below the ear level or above, use a wedge to lift or lower the face of the center speaker so that the drivers are aimed at your ears.

Surround Speakers: Side speaker position should be left and right of the sitting surface [3 to 6 feet] and 6.5 to 7 feet in the air and 90 to 110 degrees relative to your listening position.  The rear surround speakers should be slightly behind your seating area [3 to 9 feet], 6.5 to 7 feet in the air, and 135 to 150 degrees relative to your listening position.

Can you use bookcase speakers and put them on speaker stands both on the side and in the back of your view/listen position?  You can, but it will not sound as THX or Dolby intended for the rear side or pack surround sound.  The sound in the rear and the side is supposed to be a fog or mist.  When you drive in the mountains, in the fog, you cannot tell if the fog is coming from the top or the bottom or the front or the back.  That is how the rear of a surround system should be; the exception is when a plane flies over, a bullet bounces from front to back, or someone is talking off the front of the screen.  The rear of the surround sound is a FOG without, 90 percent of the time, any direction. 

Subwoofer: A subwoofer delivers low-frequency effects, such as explosions and rumbling. You will find that most experts say that placement of the subwoofer is less critical and “just put it in a corner” to enhance bass response. That is wrong, wrong, wrong.  The subwoofer placement is as important as each of the other speakers in your system, and IF you elect to have dual subs in your room, it is even more important to position them correctly. The subwoofer can be placed behind the viewing or listening position only if it is a true subwoofer and not a bass extender labeled as a subwoofer.  A subwoofer is a speaker that functions from 80 Hz and below only; if it has the ability to produce sounds above 80 Hz, it may not be a subwoofer, and it is most likely a bass enhancer and should only be in front of your viewing or listening position. 

Keep in mind, if the BEST positions for your speakers and/or subwoofers are not possible, consult a room design expert to help you pick “the right speaker for the wrong place so that you can have the correct sound.”  Our experts at soundapproach.com are happy to help consult on your specific space and speaker setup!

It is OK to experiment with speaker placement to achieve the best sound in your room and for you.  As we like to say, “use the knowledge and experiment, experiment, experiment.”

Setting up speaker levels for the best sound performance in your room.

You have two choices to do this: manual or automatic.  Both methods ensure that your audio output is balanced across all speakers, enhancing your listening experience.

Automatic—the easy way.

Using the built-in speaker sound calibration systems can save you a lot of time and provide a great starting point for optimizing your surround sound speaker levels.  All modern AV receivers come with automatic speaker calibration systems, like Odyssey or other similar systems. Using the built-in calibration system simplifies the process of setting the sound levels in your room.

Here’s how: Place the Calibration Microphone:  Most systems will provide a calibration mic; position it at ear level at your primary listening/viewing spot.

Run the Calibration Program: Follow the prompts on your receiver.  The calibration program system will play various test tones and automatically adjust the speaker levels based on sound measurements taken by the mic in your room.

Fine-Tune if Necessary: After using automatic calibration, you may want to make small adjustments for personal listening preferences.

Manual calibration—the time-consuming way.

A more effective and accurate way to set speaker levels in your room is by using a sound pressure level (SPL) meter. You can buy an analog or digital meter to perform this calibration or use an app on your smartphone.  Phone apps are not always the most accurate, but they are convenient.

Here’s how to calibrate your speaker levels with an SPL meter:

Position the Meter:  Place the sound level meter at your primary listening position and set the meter to “C” weighting and “Slow” response.  Play a Test Tone: Many AV receivers include test tones that play from each speaker sequentially.  If you have a turntable in your system, you can buy a record with test tones on it.  A signal tone generator can be plugged in and used.  Play the test tone to read the sound level for each speaker.

Adjust Levels: Adjust the individual speaker levels within your receiver until all speakers' output is roughly at the same volume, generally between 75-85 dB.  This method ensures that your audio output is balanced across all speakers, enhancing your listening experience.  However, the levels set may need to be tweaked depending on the movie or music source recording and/or the surround layout in your room.

Fine-tuning your surround sound experience:

The type of content you’re consuming can influence how you might want your speaker levels set. Once you have set the initial levels, it may be beneficial to fine-tune them for specific content or personal preference.

For Music: Generally, a more balanced sound is preferred.  Consider slightly increasing the levels of the front speakers to ensure that vocals and instruments come through more clearly.

For Movies: You may want to elevate the center channel to enhance dialogue clarity, especially for action-packed films where audio effects are layered thick.

What about the room?

It’s also essential to account for your room’s acoustics. such as wall materials, furniture, and room shape, all of which can impact sound quality. Should the sound be too bright or it bounces or echoes in the space, you may have too many hard surfaces like tile or wood. These issues can be tamed by adding rugs and soft furnishings to absorb sound.  If the bass sounds too boomy, reposition your subwoofer and/or adjust the crossover settings (the frequency at which the audio transitions from the L&R speakers to the subwoofer), on your receiver or subwoofer.  Understanding your room’s acoustics can help you further refine your speaker levels for a more tailored sound experience.

Other issues you may encounter:

One speaker’s sound is different than the other. If you notice that one speaker is significantly louder or softer than others, revisit the physical placement and the levels set for that speaker.  This could be due to incorrect positioning or possibly a damaged speaker.

If your speaker’s audio sounds distorted, you may have the volume control turned up too high, pushing your speakers too hard.  Reduce the volume level of all the speakers that sound distorted. Make sure to check your receiver volume control settings, as you may be exceeding the power of the receiver.

Suppose the dialogue gets lost in sound effects, consider adjusting the center channel to be slightly louder than the other speakers. Some AV receivers have a setting that will allow you to enhance dialogue only and not affect the other speakers in the system.

Conclusion:

Setting surround sound speaker levels is not just about selecting the right numeric values; it’s a comprehensive process of understanding your setup, room acoustics, and audio source material.  By following the steps outlined in this guide, you can create a perfectly tuned surround sound system that engages your senses and transforms your viewing and listening experience.  With proper configuration and adjustments based on personal preferences, you will unlock the full potential of your surround sound system, immersing yourself in stunning audio that complements the visuals. Whether you’re watching the latest blockbuster or jamming to your favorite tunes, the right speaker levels can make all the difference.  So go ahead, experiment, and enjoy the remarkable audio landscape your surround sound system can offer!