Sound Approach will match an Authorized USA Dealer's advertised price upon verification and release by the product manufacturer or distributor. Clients should contact Sound Approach at 877-370-1972 in order to request a price match. The following conditions must be met for a price match to be approved:
1. The price is from an authorized US Dealer verified by the product manufacturer and/or distributor.
2. The price must be above the manufacturer’s Minimum Advertised Price (MAP) as indicated by each vendor.
3. The request must be approved by the manufacturer and/or distributor of the product(s) in question following verification that the price meets the other requirements.
4. The product in question must be new, unused, and in unopened condition. Products that do not fall into this category are ineligible for the price match program.
Sound Approach will decline to price match on any price offered by an auction organization, website, or dealer not authorized by the manufacturer and/or distributor or if the request does not meet the above conditions.
Please contact Sound Approach for more information and questions regarding the price matching program.
Sound Approach will accept returns on most items within 30 days of the delivery date. Buyers are responsible for arrangement and cost of any return shipment. For the terms, conditions, and exceptions related to shipping and/or returns, please continue reading below. By placing an order, clients agree to the Terms of Service (ToS) in their entirety.
Special Order or Custom Order items, as indicated on the webpage in the Special Notice section for those applicable products may have different return terms and conditions. See the Special Orders, and Custom Orders section below for more information.
If the product you have purchased is incorrect, defective, or not to your liking, please contact Sound Approach as soon as possible. In order to find a solution which best suits the customer’s needs, Sound Approach may issue a store credit, refund, or exchange on any qualifying purchase(s) which fall within the 30-day return period and meet eligibility requirements as listed below.
*The below conditions are not all-encompassing. Please see the Shipping & Returns portion of the Sound Approach website for the full list of terms and conditions regarding returns.
1. Sound Approach will accept returns on most orders within 30 days of the delivery date of the order(s) in question. Some exclusions to this policy may apply.
2. All returns are subject to a 20% restocking fee. Some exclusions may apply.
3. Buyers must request a Return Authorization Number via email (firstname.lastname@example.org) in order to initiate the return process. Returns without an RMA will not be accepted by the Service Department. RMAs are valid for 14 days after issue.
4. Buyers are personally responsible for the arrangement and costs incurred on a return shipment(s). Sound Approach will not generate return shipping labels as stated in the Terms of Service. unless the item(s) received is defective or incorrect.
5. This list is not all-encompassing and other terms and conditions may be applicable.
6. By placing an order, a buyer agrees to any and all terms and conditions as listed on the Terms and Conditions portion of this website. Please see the following link for a full description of the ToS - https://soundapproach.com/terms-conditions
Please contact Sound Approach at 877-370-1972 or email@example.com with any questions regarding the Return Policy.
AudioQuest - Cinnamon - Optical Digital Audio Cable (Single)
The audio frontier is all abuzz these days with the pleasure possible through HDMI, USB, FireWire® and Ethernet connections. However, these current generation digital technologies are only part of the story, just as the challenge of designing, manufacturing and choosing the best analog interconnects and speaker cables is as important as ever. The S/P-DIF (Sony® Philips Digital Interface), which arrived in 1983 along with the CD, is still very much a part of our world today. S/P-DIF is transmitted through Digital Coax and Toslink fiber optics (EIA-J), making them still some of the most important cables in electronic entertainment.
While, thanks to HDMI, Toslink is not so often used to connect a DVD player to an A/V receiver, Toslink connectors are common on cable-boxes, TV sets, subwoofers, all sorts of products. And now, the 3.5mm Mini Optical connector, also somewhat incorrectly known as Mini-Toslink, is everywhere … from the 3.5mm dual-purpose headphone jack on a Mac laptop, to inputs on some of the finest portables.
For these many reasons, AudioQuest has refined and renewed our line of serious high-performance OptiLink cables. All models and all lengths are now available Toslink to Toslink and Toslink to 3.5mm Mini Optical.
When the question is “how can a fiber-optic cable change the sound?” … the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser, firing into a vacuum, all the light would stay straight, arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent, the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude … but amplitude is not the problem, a 50% true loss would have no effect on sound quality.
The problem is that the dispersed light does get through the cable, but only after it has taken a longer path, like a pool ball bouncing off the side-rails, causing it to arrive later. This delayed part of the signal prevents the computer charged with decoding this information from being able to decode properly, or even at all. The inability to decode shows first at higher frequencies (not audio frequencies, this is a mono stream of digital audio information), so reduced bandwidth is a measurable signature of light being dispersed by a fiber. The punch line: The less dispersion in the fiber, the less distortion in the final analog audio signal presented to our ears.
There is another serious dispersal mechanism in the Toslink system. The fiber is a relatively huge 1.0mm in diameter, and the LED light source is also relatively large, spraying light into the fiber at many different angles. Even if the fiber were absolutely perfect, the signal would be spread across time because light rays entering at different angles take different length paths and arrives with different amounts of delay.
The almost complete solution to this problem is to use hundreds of much smaller fibers in a 1.0mm bundle. Because each fiber is limited as to what angle of input can enter the fiber, there is far less variety, and far less dispersion over time. This narrow-aperture effect is similar to how a pin-hole camera can take a picture without a lens … by letting in light at only a very limited range of angles, a picture can be taken, whereas removing the lens from a wider aperture would make photography impossible. Less light gets through a multi-fiber cable, but the light that does get into the fibers comes out within in a much smaller time-envelope.
So there is one problem, the dispersion of light across time … and two avenues towards a better result: less dispersion in the fiber (better polymers and ultimately quartz), and less dispersion by filtering the input angle. How simple is that! Listen and enjoy.